THE 11 BEST FILMS OF 2O1O +1
by David N. MeyerFilm
Polanski understands structure. Few directors remain whose poetry and narrative depend on knowing why one line demands a close-up or how a tiny gesture changes the universe or how to dramatize moments that bear no inherent drama, but prove later to be crucial notes in the symphony.
LADIES AND GENTLEMEN, THE ROLLING STONES
by David N. MeyerFilm
If “everybody got to go,” where are they? Jagger’s the only Stone I see going. A little Keith, Jagger, Charlie’s profile, Jagger, Mick Taylor’s hands, Jagger Jagger Jagger, a glimmer of Bill Wyman’s silhouette, repeat.
MINERVA’S OWL
by Ethan SpiglandFilm
A symphony in three movements, Jean-Luc Godard’s latest film meditates on the sweeping mutations wrought by new digital technologies, globalization, and the monetization of more and more aspects of human life. A reflection on Europe’s past, present, and future, it’s a compendium of familiar Godardian tropes and themes.
THE THIN RED LINE
by David N. MeyerFilm
For Terrence Malick (Badlands, Days of Heaven), the world is a cathedral. Even the most venal acts of man take place in sanctified space because it’s all sanctified. Malick hears celestial music emanating from the sky and trees, sunlight piercing a forest, water running over rocks.
