The Brooklyn Rail

Critical Perspectives on Art, Politics and Culture

MAR 2010

The Brooklyn Rail



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Music

PLEASE RESPECT HER DECADENCE: ALGEBRA SUICIDE: SUMMER VIRUS NIGHT (DOM ELCHKLANG)

by José Padua

Music

Fame can be a huge pain in the ass. And sometimes, of course, it can be a hell of a lot more than that. On the one hand, it can mean that an artist has a decent-sized audience—often a necessity if the artist wants to focus on the work and not have to deal with crappy jobs to make a living.

JEREMY OWEN TURNER

by Ellen Pearlman

Music

Jeremy Owen Turner has over nine years’ experience producing content in virtual worlds, which makes him a bona-fide doyen and agent provocateur in the field of emerging technologies.

ROCK ’N’ ROLL JUNIOR HIGH SCHOOL

by Dave Mandl

Music

Rock camps and rock schools for kids are a very recent phenomenon, but the idea is already so established, and seems so natural, that it feels like they’ve been around forever.

THE ACADEMY IN PERIL: AN EVENING WITH JOHN CALE AT MOMA

by Jamian Juliano-Villani

Music

Through a Welsh burr punctuated by a burnt-out stutter, former Velvet Underground member and punk pioneer John Cale devoted most of his recent MoMA lecture to a discussion of his video installation Dyddiau Du/Dark Days.

ADDING FUEL TO THE FIRE: THE BESNARD LAKES

by Katy Henriksen

Music

An image of a burning horse could be a symbol of many things, but with those self-devouring flames it’s a perfect metaphor for the combustible world of husband-and-wife collaborations.

KOSTI’S APHORISMS ON MUSIC

by Richard Kostelanetz

Music

Classical music correctly played epitomizes perfection.

 

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