Around a Table with a Lot of Friends: Daniel Talbott with Mark Schultz
by Mark SchultzTheater
Daniel Talbott has just gotten back to New York. He’s a bit tired, a bit jet-lagged. All understandable. The artistic director of Rising Phoenix Rep and the writer of Slipping (which begins previews at the Rattlestick Playwrights Theater on July 28th), Daniel’s just finished a turn as Frank Ford in The Merry Wives of Windsor in St. Louis
Bullseye Brooklyn: Sponsored by Nobody's Right on Target
by Brook StoweTheater
Those red and white concentric circles. You know them: three small becoming one larger, immaculately proportioned and perfectly centered. Since 1968, the circle’s ubiquitous presence has spread from advertising circulars to canine mascots to race cars, impassively branding all it touches.
Felipe Alfau Doesn't Want You to See This
by Trish HarnetiauxTheater
This is all Mac Wellman’s fault. He fully admits that all his favorite writers are fascists. So when talk was starting earlier this spring about the Bring a Weasel and a Pint of Your Own Blood Festival, he pulled out his copy of a little known book by Felipe Alfau titled Locos: A Comedy of Gestures—and I like to think literally threw it at playwrights Scott Adkins, Normandy Sherwood, and Richard Toth.
Excerpts From the Three Adaptation of Locos: A Comedy of Gestures by Felipe Alfau
by Richard Toth, Normandy Sherwood, and Scott AdkinsTheater
We find Scott Adkins, Normandy Sherwood and Richard Toth in the café, mid-conversation.
Downtown Drama: The undergroundzero festival at P.S. 122
by Suzy EvansTheater
Paul Bargetto enjoys artists’ failures. Especially if the failures are huge—fall on your face, audiences hackling and the whole show going up in flames style.
