by Ali Rosa-Salas
DEC 14-JAN 15 | Dance
Since the dawn of tap to the emergence of vogue, movement vocabularies founded in the nightclubs, parks, and community centers of New York City have defied the constructs of proscenium dance performance. Yet, due to their development primarily outside of institutional art spaces, these dance forms are widely referred to as street dance, a label that in some contexts is employed pejoratively, and in others is the source of deep pride.
by Thyrza Nichols Goodeve
JUL-AUG 2015 | Art
Nowhere is the myopic New York-centrism that Saul Steinberg so famously captured in his March 29, 1976 cover of the New Yorker as ubiquitous as it is in the art world. Although international travel is a given for most art professionals, in 2015 the art-infested boroughs of New York City, branching out from Soho to Chelsea, to Williamsburg, Long Island City, and Bushwick, with museums expanding in ways both depressing (MoMA) and exhilarating (the Whitney), it is hard not to continue to call New York the center of the art world.