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Streets

The Re-enactment of Lygia Clark’s Baba Antropofágica (Anthropophagic Droo)

by Marie Carter

Streets

“I dreamt that I opened my mouth and took out a substance incessantly. As this was happening I felt as if I was losing my own internal substance, which made me very anguished mainly because I could not stop losing it. In the work I made afterwards, which I called Cannibalistic Slobber, people had cotton reels in their mouths to expel and introject the slobber.” —Lygia Clark (Brazilian performance artist, 1920-1988)

On Rooftops in a Dream: Local Filmmakers Navigate the Indie-Market

by Jericho Parms

Streets

The rooftop of the Old American Can Company, an historic complex in Brooklyn, is packed with nearly 600 people glued to their seats. They watch the film on the large screen as the camera cuts from the gutting of a fish to broken shards of a mirror; then to Isaiah Zagar, a legendary mosaic artist, fingering colorful tiles embedded in a wall along the South Street Corridor in Philadelphia.