The Brooklyn Rail

Critical Perspectives on Art, Politics and Culture

DEC 06-JAN 07

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Theater

THE ONLY HOLE THAT MATTERS: Radiohole’s FLUKE at the Collapsable Hole

by Jason Grote

Theater

As William Carlos Williams said, the pure products of America go crazy, and in the case of Radiohole they’ve gone crazy in a really, really interesting way.

The “Late” Charles Mee

by Kenn Watt

Theater

Chuck Mee’s Gone, is a requiem—a piece written on the occasion of another person’s death—Mee’s friend and patron of many years, the philanthropist Richard Fisher. But the piece is still a “late” piece. Gone is all about anachronism and anomaly—and is anything but settled.

Pushing Buttons: An interview with playwright THOMAS BRADSHAW about Purity

by Tommy Smith

Theater

“If we had three cookies in front of us,” Bradshaw motions to the empty table, “I would be polite and say you should have the last cookie. But deep down, I really want the cookie.”

In Dialogue

Getting Cosmic with Kelly Copper

by Kelly Copper and Amber Reed

Theater

MELANIA TRUMP Christmas is like ice cream. You have to eat it fast or it melts.

 

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