Black Friday with Reverend Billy
by Matthew VazLocal
Is that Johnny Cash? one asks.
Is that Billy Graham? asks the other.
Thats Reverend Billy, explains a church member, Just listen.
LETTER FROM BALUCHISTAN
A Call to Resistance: The Khan of Kalat Gathers the Tribes
by Annie Nocenti
Express
Khan of Kalat Suleimans country is rich in resources that everyone wants to take and he doesnt have the power to stop them. We sit on a mountain of gold, he says, and the devil sits on us.
Yun-Fei Ji with John Yau
by John YauArt
During his brief visit to New York for his first one-person exhibit at James Cohan Gallery, Water that Floats the Boat Can Also Sink It: New Work by Yun-Fei Ji, which will be on view till December 22, the artist came to visit Rails art editor John Yau to talk about his new body of work.
Kiki Smith with Phong Bui and Susan Harris
by Phong Bui and Susan HarrisArt
On the occasion of the traveling retrospective Kiki Smith: A Gathering, 19802005, the artists first full-scale survey (on view until February 11, 2007), Kiki Smith welcomed Rail publisher Phong Bui and independent curator/writer Susan Harris to her home and studio to discuss her life and work.
John Elderfield with Phong Bui
by Phong BuiArt
On the occasion of the exhibit Manet and the Execution of Maximilian at The Museum of Modern Art, which will be on view until January 29, 2007, John Elderfield, the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, took time from his busy schedule on a recent afternoon to welcome Rail Publisher Phong Bui to his office to talk about Manets four featured paintings, related works and more.
The Brooklyn Rail’s Person of the Year
Satan played a starring role on the world political stage during 2006. His presence was felt from the Persian Gulf to the banks of the Mississippi. Other than the devil’s handiwork, how else to explain why Iraq became hell on earth, and New Orleans remained in tatters?
- A Note on Boteros Abu Ghraib by Robert C. Morgan
- Report from London by Sherman Sam
- Mike Womack with Ben La Rocco by Ben La Rocco and Mike Womack
- Joyce Robins & Harry Roseman by John Yau
- Slater Bradley: The Abandonments by Geoffrey Cruickshank-Hagenbuckle and Miyuki Tsushima
- Ray Johnson En Rapport by Valery Oisteanu
- MEGA ZINES by Jonah Owen Lamb
- George Ortman by Jim Long
- Pierre Klossowski and Hans Bellmer by David Markus
- Eija-Liisa Ahtila by Thomas Micchelli
- Keith Mayerson by Roger White
- Hiroshi Sugimoto by Hrag Vartanian
- Scott Malbaurn by Craig Olson
- Nancy Rubins by Jill Conner
- Eric Guzman by James Kalm
- Paul Kolker by Lynn Love
- Marietta Hoferer by Jennifer Riley
- Barry Le Va by Ben La Rocco
- Neil Welliver: The Absent Painter by Jeremy Sigler
- Bix Lye & Jan Mulder by Shane McAdams
- Lost Gravity – the Photographs and Performances of Li Wei by Ellen Pearlman
In Conversation
Emmanuelle Loyer with Emmanuel Laurentin
Fiction
Some flights are given significance as acts of opposition, rebellion, refusal to accept fait accompli. This is difficult to comprehend, and each case is different. This is why I had toand I favoredan approach stressing portraits, sometimes very precise and detailed, in order to try and retrace, at the scale of a given man or woman, the framework of constraints and choices. Emmanuelle Loyer
Chris Marker: Make Cats Not WarThe Case Of The Grinning Cat, plus 5 shorts
by Matt PetersonFilm
Chris Markers latest film, The Case Of The Grinning Cat, was originally released in France in 2004, and played in last Springs Tribeca Film Festival. Wandering the streets in search of a response to the current state of the nation, Marker finds himself taken by these unexplained images of cats, which, for him, must be connected to political discontent.
A Southern Mouth: Th’ Legendary Shack Shakers Hit the Road Screamin
by Sarah Ruth JacobsMusic
“True insanity doesn’t need to be maintained,” says Th’ Legendary Shack Shakers’s frontman Colonel J. D. Wilkes on touring their new album, Pandelerium.
Full Contents
Local
- Collecting a City by Vidya Padmanabhan
- Dishing It Out, But No Longer Taking It by Eleanor Bader
- Tis the Season by Amanda Darrach Filippone
- Spring Creep by Sabine Heinlein
- Seeds of Change by Cleve Wiese
- Construction/Destruction of Williamsburg Continues at Frantic Pace by Williams Cole
- Black Friday with Reverend Billy by Matthew Vaz
Express
- Thanksgiving by Jason Flores-Williams
-
LETTER FROM BALUCHISTAN
A Call to Resistance: The Khan of Kalat Gathers the Tribes by Annie Nocenti - The Brooklyn Rails Person of the Year, 2006 by Theodore Hamm
- ¡Mi Comandante Es Mi Presidente!: Daniel Ortega Comes Back to Power
- Hugo Chavez and Latin American Populism by Nikolas Kozloff
- Benito Juárez and New York City by Vicente Quirarte
- Hospitality Row by Heather Rogers
- Victor and Me by Doug Cordell
Art
- John Elderfield with Phong Bui by Phong Bui
- Kiki Smith with Phong Bui and Susan Harris by Phong Bui and Susan Harris
- The Bias of the World: Curating After Szeemann & Hopps by David Levi Strauss
- Railing Opinion: A Call to Art Critics by Irving Sandler
- Yun-Fei Ji with John Yau by John Yau
- Tavares Strachan: Hermetically Sealed by Maxwell Heller
ArtSeen
- A Note on Boteros Abu Ghraib by Robert C. Morgan
- Report from London by Sherman Sam
- Mike Womack with Ben La Rocco by Ben La Rocco and Mike Womack
- Joyce Robins & Harry Roseman by John Yau
- Slater Bradley: The Abandonments by Geoffrey Cruickshank-Hagenbuckle and Miyuki Tsushima
- Ray Johnson En Rapport by Valery Oisteanu
- MEGA ZINES by Jonah Owen Lamb
- George Ortman by Jim Long
- Pierre Klossowski and Hans Bellmer by David Markus
- Eija-Liisa Ahtila by Thomas Micchelli
- Keith Mayerson by Roger White
- Hiroshi Sugimoto by Hrag Vartanian
- Scott Malbaurn by Craig Olson
- Nancy Rubins by Jill Conner
- Eric Guzman by James Kalm
- Paul Kolker by Lynn Love
- Marietta Hoferer by Jennifer Riley
- Barry Le Va by Ben La Rocco
- Neil Welliver: The Absent Painter by Jeremy Sigler
- Bix Lye & Jan Mulder by Shane McAdams
- Lost Gravity – the Photographs and Performances of Li Wei by Ellen Pearlman
Books
- Lynne Tillman with Lynn Crawford by Lynn Crawford
- Poetry: The Weatherwomens Terror by Charles Bernstein
- Fiction: Being Lolita in Suburbia by Anjali Wason
- Fiction: Minimum City by Hemant Sareen
- Nonfiction: Speak, Cobblestones by Alexander Nazaryan
- Nonfiction: The Green Wean by Paula Crossfield
- Literature: Frothers Keeper by Simona Schneider
Music
- Wolf Eyes: Trashing Eardrums in Red Hook by Matthew Ozga
- Eyeballing the Future: The Residents Turn Thirty-Five, We Think by Jim Knipfel
- Califone: Roots for the Twenty-First Century by Katy Henriksen
- A Pre-History of Live Experimental Music in Brooklyn by Al Margolis
- A Paradox of Interests: CMJ ’06 by Chelsea Werner
- A Southern Mouth: Th’ Legendary Shack Shakers Hit the Road Screamin by Sarah Ruth Jacobs
- “Because We Said So” by Grant Moser and Scott Damell
- The Double: _Loose in the Area_
Dance
- Dancing in the New Year by Carley Petesch
- David Dorfmans Underground presented at BAM by Nicole Pope
- Lionel Popkins Miniature Fantasies by Krista Miranda
- Claude Wamplers Performance (Career Ender) presented at The Kitchen by Mathew Sandoval
Film
- !Filmed In Lugubrivision! by David N. Meyer
- Chris Marker: Make Cats Not WarThe Case Of The Grinning Cat, plus 5 shorts by Matt Peterson
- What Dreams May Come by Sara Mayeux
- Pretty Poison (20th Century Fox) by David Wilentz
- Shock Treatment: Michael Haneke’s The Seventh Continent (’89, Kino) and Lars von Trier’s Manderlay (’06, IFC Films) by Matt Peterson
- Borat’s Bummer? by Williams Cole
Theater
- THE ONLY HOLE THAT MATTERS: Radioholes FLUKE at the Collapsable Hole by Jason Grote
- The Late Charles Mee by Kenn Watt
- Pushing Buttons: An interview with playwright Thomas Bradshaw about PURITY by Tommy Smith
- Getting Cosmic with Kelly Copper by Kelly Copper and Amber Reed
Fiction
- BIG, BIG LOVE by Thomas DAdamo
- Emmanuelle Loyer with Emmanuel Laurentin
Poetry
- Will Power by Anne Waldman
- NACHTMUSIK by Michael Kelleher
- you were vast unto others - by Jen Bervin
LastWords
- Golden Pram Complete With Crystal Chandelier by Marie Carter
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