June 2008 May 2008 April 2008 March 2008 February 2008 Dec 2007/Jan 2008 November 2007 October 2007 September 2007 July/August 2007 June 2007 May 2007 April 2007 March 2007 February 2007 Dec 2006/Jan 2007 November 2006 October 2006 September 2006 July/August 2006 June 2006 May 2006 April 2006 March 2006 February 2006 Dec 2005/Jan 2006 November 2005 October 2005 September 2005 July/August 2005 June 2005 May 2005 April 2005 March 2005 February 2005 December 2004/January 2005 November 2004 October 2004 September 2004

• Local
• Express
• Art
• ArtSeen
• Books
• Music
• Dance
• Film
• Theater
• Fiction
• Poetry
• Streets
• LastWords
• Contents

• Next Section »
• First Article ›

Art

Andrea Fraser

by * Praxis

Art

“Untitled” (2003) was initiated in 2002 when Andrea Fraser approached Friedrich Petzel Gallery to arrange a commission with a private collector on her behalf.

Chronophobia: On Time in the Art of the1960s, by Pamela Lee

by Daniel Baird

Art

In acclaimed, Toronto-based new media artist David Roekeby’s “Taken”(2002), visitors to the Oakville Galleries’ high-ceilinged space in suburban Ontario, are tracked by sophisticated and discreetly placed digital surveillance cameras, and the information captured is immediately spun through the software Rokeby himself writes.

Railing Opinion

by Robert Storr

Art

As part of our interest in revitalizing art criticism and theory, in giving them both sharp edge and broad, encompassing vision, the Rail has initiated this column.

Rudy Burckhardt: The Art of Being

by Phong Bui

Art

Only by being and being and being… can anything truly become: truly arrive —Parker Tyler

Deep Space

by Joan Waltemath

Art

Neither in concepts nor in language does anything ever stand isolated. But concepts actually become related only when the personality acts in inner unity, when full subjectivity radiates toward complete objectivity.

Jamaica Flux: Jamaica Center for the Arts Evolves

by William Powhida

Art

In October, Jamaica Center of the Arts will present Jamaica Flux: Workspaces and Windows beyond the gallery’s walls in the heart of the surrounding community.